TIME TRAVELLERS II, 2014 – 2015
Public statues that seem to be travelling in the future and are suddenly in the middle of audiences which do not seem to know them too well or audiences which appear to have travelled back in time to consider the preserved city; or me, travelling in both directions, coming from an eastern european culture for studying and learning from a much-earlier economic developed society, questioning Guy Debord’s ‘consumption of modern economical survival’ (1984).

Emil Otto Hoppe photographs, in Forty London Statues and Public Monuments, ed. Tancredd Borenius (1926). London: Methuen & Co Ltd
‘For most of us living in London, those statues are just part of the general landscape … We hardly notice them on our way to work; many people walk by without even noticing them.’ (Ilpo Musto, The Art of London, 2010). Further inspiration from reading, H.G. Wells, 1895, The Time Machine and Guy Debord, 1984, Society of the Spectacle.
Portfolio size 19 x 13 inches, Edition of 2 each. Archive of 6 x 7 medium format negatives, colour photographs and digital scans. This project hasn’t been published. Ideally, this work would be printed as large-size photographs, C-Type Matt, 130 cm on the longest side, in tandem with the artist’s book. Photographs mounted in the Emil Otto Hoppe 1926 original book, on top of the photos in the book.












References:
• Baudrillard, J (1999) Jean Baudrillard : Fotografien : photographies : photographs 1985-1998, Ostfildern-Ruit : Hatje Cantze
• Musto, I. (2010), The art of London: monuments and wall reliefs, London: A. & C. Black.
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Copyright © All rights reserved and protected by copyright laws, Alexandru Modoi, 2014